on cinematic anthropology, the use of sensation in ethnographic filmmaking

reflections from a sensory ethnography class at McGill University

anthropologyworks

Professor Lisa Stevenson at the event. Source: Claire Avisar Professor Lisa Stevenson at the event. Source: Claire Avisar

To most people, the image of a farm on the outskirts of Montreal, the routine of a professional bodybuilder, and Afghan lullabies have little to do with one another. To students of the Anthropology department’s ANTH 408: Sensory Ethnography course, however, they represent the subjects of a semester’s worth of work documenting, creating, and reflecting upon the process of ethnographic filmmaking.

On January 20, held within the historic limestone walls of Thompson House, McGill’s Anthropology Students’ Association hosted the students, their friends, and professors of a class whose central work focused on sensory ethnography (a practice that privileges audiovisual representations of living subjects and rejects the mediation of dialogue, narration, or subtitles). Prefaced by a cocktail hour, this event provided its attendees an evening of food, drinks, and the chance to engage with the students whose work was showcased. With a…

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